Audrée Lewka
Scenographer, choreographer and performer
Audrée (she/he/they) loves the bin of lost objects, mushroom picking and reels of southern moms cooking mountains of food. They love the freedom their DIY aesthetic gives them to make quick and dangerous prototypes. They live in Trois-Pistoles (Wolastokuk)and love it when it's funny on stage and you don't know exactly why, but you're in it together.
Their works co-created with their accomplices, Poneyzboyz (OFFTA 2019, FURIES 2023) and Plaisirs partagés (La Chapelle - Scènes contemporaines 2023), are a tentative, charming bridge between strangeness and accessibility. A set designer and archaeologist by training, they have worked on and contributed to many projects in dance, theatre and circus. Their weapons are costume, space, light, buttocks, papier-mâché, video, performance and words, in various states of sharpness ranging from rapeux to very fucking sharp. They would have liked to be deep and impenetrable, but it's not the case.
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Guillaume Létourneau
Sound designer and performer
Guillaume's aesthetic always appears a bit clumsy, but more often than you think, he is exactly where he wants to be : a sweet spot between daydreaming, blunders, and mindfulness. He loves to share secret games and odd focal points with his co-creators, always seeking magnificent errors and intriguing nonsense that flow down the chain, passing through the feeling zone before the understanding station. He's delighted to mess around with expectations when approaching every kind of artistic form. Guillaume explored sound conception as a material to transform spatial perception, like splitting peas and carrots on a plate or mashing them together for another type of texture.
Co-creator and performer of PoneyBoys (Tangente 2018), Pitch (Rouyn-Noranda), Dousse nuit/Holey night (Tangente 2019), and Plaisirs Partagés (La Chapelle 2023) with his besties Audrée Juteau Lewka and David-Emmanuel Jauniaux. Among his various projects as a sound designer, his most flourishing collaboration was with Maria Kefirova for Measuring Distance (La Chapelle 2020) and Back Boxes Towels (MAI 2021).
Oh also, he cooks gracefully.
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David Emmanuel Jauniaux
Performer and production manager
Coming from the confines of the countryside and landing on the holey streets of Montreal, David Emmanuel (he) works and collaborates on works that tragically compel him to drop ham in his creative partner's buttocks, play a Christmas tree or become a cowboy centaur. It was through his creations, co-created with his two favourite partners: Audrée Juteau Lewka and Guillaume Létourneau, that his reputation as a crazy actor/dancer and creator began to take shape. PONEYBOYZ, presented at OFFTA (2018), DOUSSE NUIT-HOLEY NIGHT at TANGENTE (2019) and PLAISIRS PARTAGÉS at Théâtre La Chapelle (2023) are three productions that define his artistic approach and his preferred playgrounds. The year 2024 was rich in diverse projects, leading him to dance for Frédérique Gravel in Tout se Pète la Gueule Chérie (2024), to act for Théâtre I.N.K. in Maelstrom presented at Théâtre Aux Écuries (2024) and to collaborate with Théâtre Fêlé on various creations as actor, designer and director. At the same time, he continues to accumulate experience in television projects and web series. As a jack-of-all-trades, David Emmanuel Jauniaux tries to combine the precision of technicality and the messiness of pathos in an open, hybrid approach. Relentlessly, he seeks to double up under various hats, both in production and interpretation. His curiosity and skills lead him to experiment with different roles and positions in the creative processes he encounters. He is a wild card, if we can put it like that.
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